Why you can build a writing career without a publisher

Filed under Get Published, Proactive Writer.

70% of books published fail! However, the remaining 30% go on to become potential best sellers making so much profit that the sins of the failures are washed away.

The problem publishers face is that bestsellers are impossible to predict. So, in order to ensure they produce at least a couple of bestsellers, publishers publish many books, knowing most will fail but a few will succeed.

This business model is all based on a bookshop’s limited shelf space. Most books are sold through bookshops (though this is changing). These bookshops have a limited number of shelves and the shops tend to stock books that are most likely to sell in large numbers (they have to pay the rent, just like everyone else). This means that titles that don’t sell so well, who don’t earn their shelf space, are dropped and replaced with other, better selling, books. Only the bestsellers survive.

However, this model is changing and digitalisation is altering the marketplace.

Bookshops are still important but increasingly people are buying books online. Amazon is now becoming the first port of call for many readers, and the growing impact of ebook sales is accelerating this change.

But surely the decline of bookshops is bad for the writers and publishers?

It would be if readers were no longer buying books but they are, they never stopped, thay have just switched to online stores.

The key is that Amazon’s business model doesn’t depend on physical shelf space. Though they have to warehouse the books, this is not the limiting factor. In essence they have unlimited and virtual bookshelf space and this alters the book selling dynamic. Yes, Amazon love the bestsellers, but they don’t need them.

Online bookshops are able to depend on niche books to pay the bills. These niche books may only sell a couple of hundred copies a year, and this would have meant they could not be stocked by physical bookshelves. The book shops would have not had the luxury of stocking their shelves with titles that blocked essential retail space. Yet, Amazon don’t care, they have unlimited bookshelves. In fact, the opposite is now the case. Amazon want niche book titles, as many as possible. If they stock 10,000 niche titles, each selling just 100 copies per year, sales and profit soon add up!

This is excellent news for writers. You see, the main reason writers need publishers is for the publisher to pay for printing and to subsequent distribution of the book to bookshops. But what happens if we remove book shops from the equation, and the price of printing 100 titles per year drops to a level manageable by writers?

The answer is that the writer becomes the publisher. This new publishing model allows writers to write, print and distribute their own books. Add to this the fact that, with the publisher removed, writers can take a much bigger cut of the profit and suddenly we can shake of the depression off yesterday’s post and instead celebrate a recipe for success.

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  • Anonymous

    You have to be a little careful about this. I think it’s fine for people to self-publish, but they need to be very careful not to fall into the hands of vanity publishers, who will take large sums of money off them for very little return.

    You also make it sound like getting your book on Amazon is enough to generate lots of sales. It’s not – it’s quite possible not to get any sales at all, and it’s very unusual for a self-published book to generate 100 copies sold per year without a lot more done than just sticking it on Amazon.

    • garysmailes

      Brian – thanks for these wise words and you are correct.I initially wrote an extra paragraph to this post and then deleted it at the last minute… basically it said that a writer will only be successful if they can build an evangelising following. If a writer is to replace the publisher then they need to replace the publishers marketing output. The point I am trying to make is that this is now possible and a number of writers have had some success using this route (Scott SIgler). I would also add that self publishing, selling a load of books and building fan base can be a route to becoming a bestseller with a major publisher. I am suggesting that writers just need to be far more proactive.

  • brianclegg

    You have to be a little careful about this. I think it's fine for people to self-publish, but they need to be very careful not to fall into the hands of vanity publishers, who will take large sums of money off them for very little return.

    You also make it sound like getting your book on Amazon is enough to generate lots of sales. It's not – it's quite possible not to get any sales at all, and it's very unusual for a self-published book to generate 100 copies sold per year without a lot more done than just sticking it on Amazon.

  • garysmailes

    Brain – thanks for these wise words and you are correct.

    I initially wrote an extra paragraph to this post and then deleted it at the last minute… basically it said that a writer will only be successful if they can build an evangelising following. If a writer is to replace the publisher then they need to replace the publishers marketing output. The point I am trying to make is that this is now possible and a number of writers have had some success using this route (Scott SIgler).

    I would also add that self publishing, selling a load of books and building fan base can be a route to becoming a bestseller with a major publisher. I am suggesting that writers just need to be far more proactive.

  • http://marketitwrite.com/ Mistina

    This post and the comments raise the main issue here: the publishing world is changing, and writers need to adapt. In some ways, the opportunity is even greater for writers now, even though the responsibility has remained largely the same.

    From what I understand, unless you were one of the fortunate few to score a huge PR push from your publisher, you were still responsible for promoting your book if you didn’t want to live with the stigma of being a one-published-book writer. (Various people in publishing have said that it’s harder for a published novelist of a mediocre book to publish again than for an unpublished author to find a publisher. Lee Child says something to that effect in the intro to his short story in the 2006 anthology Thriller.)

    Now that the traditional publishing model is changing, we have the same responsibility as writers to promote our work and to develop a following – and greater opportunity than ever before, thanks to the advent of social media and role models like Gary V to show us how to use these tools.

    As for myself, I’m still struggling with the challenge of dragging my sorry self to the page on a consistent basis so I can then beg an agent or publisher to abuse me and my work. ;-)

    • garysmailes

      Thanks for commenting. Gary V is a great example and I suspect you will see his media machine pushing out new titles following the success of Crush It.

  • http://marketitwrite.com/ Mistina

    This post and the comments raise the main issue here: the publishing world is changing, and writers need to adapt. In some ways, the opportunity is even greater for writers now, even though the responsibility has remained largely the same.

    From what I understand, unless you were one of the fortunate few to score a huge PR push from your publisher, you were still responsible for promoting your book if you didn't want to live with the stigma of being a one-published-book writer. (Various people in publishing have said that it's harder for a published novelist of a mediocre book to publish again than for an unpublished author to find a publisher. Lee Child says something to that effect in the intro to his short story in the 2006 anthology Thriller.)

    Now that the traditional publishing model is changing, we have the same responsibility as writers to promote our work and to develop a following – and greater opportunity than ever before, thanks to the advent of social media and role models like Gary V to show us how to use these tools.

    As for myself, I'm still struggling with the challenge of dragging my sorry self to the page on a consistent basis so I can then beg an agent or publisher to abuse me and my work. ;-)

  • garysmailes

    Thanks for commenting. Gary V is a great example and I suspect you will see his media machine pushing out new titles following the success of Crush It.

  • http://www.discover-rosalie.com Rosalie Marsh

    Good News and puts things in perspective

  • http://www.discover-rosalie.com Rosalie Marsh

    Good News and puts things in perspective